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Shouting on Swan Street:
A Short History of the Band on the Wall
Made by the Market
George and Dragon, Band on the Wall, Band in the Wall, Band on the "Wall" at
some time in the last 200 years number 25 Swan Street has been all of these. Now
an internationally famous music venue no-one knows when music first started at
the Band on the Wall, but market pubs are well known for their musical
connections and many Victorian commentators refer to buskers and musicians
around the Smithfield market and the streets off Oldham Road.
What we do know is that the first licence for a George and Dragon on Swan Street
was granted to Elizabeth Marsh in 1803. Remnants from the beginning of the
nineteenth century still exist in the cellars at the front of the building and
can be seen in the layout of some of the internal walls. With land prices at a
premium the original George and Dragon would have been some four stories high,
and narrow.
At the time Swan Street was a bustling area with a well-established fruit and
vegetable market at Smithfield, nearby textile factories, cramped workers
housing, a Methodist Chapel and stage coaches running to Ashton-under-Lyne and
Royton from the Lower Turks Head in Shudehill
In 1858 a major development of the market on Goadsby Street at the back of the
George and Dragon may have prompted the then licensee Bernard McKenna of Bernard
and John McKennas Harpurhey Brewery into making a substantial investment in the
pub. The George and Dragon was substantially re-built ' internal doors, pillars,
plasterwork and mouldings exist from this period - particularly round the
entrance way, in the upstairs offices and above the balcony. A new corner
entrance was created and the building lowered to two stories. The McKennas also
took over the next door property on Swan Street, creating a wine and spirit
merchants shop that sold the products bottled at the McKenna Brewery on Rochdale
Road.
By the 1890s the market was booming, trade was good and in 1897 the McKennas
effectively doubled the size of the George and Dragon by buying up the next door
property on Oak Street. Here they created the huge vault that now serves as the
performance area. They also developed the accommodation side of the business,
with lodging rooms and a dining area on the first floor - now used as offices
and altered the name to the George and Dragon Hotel. Performers who use the
first floor toilets and bathroom will not be surprised to learn that these rooms
are largely unchanged from this period ! Note the mirrors round the stage and
the etched glass in the ground floor ladies toilet door - also from 1897.
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Photograph of Swan Street, 1900, credit: Manchester City Libraries, local
history unit
To be found on Swan Street at this time were William Catchpole's hatting
firm; a herring and egg merchant; glass works; coopers; oyster dealer;
banks; tobacconist; jewellers; Richardson the pawnbrokers, coffee shops and
at number 20 - 22 Swan Street - a musical instrument makers. There was also
the Rising Sun on the corner of Rochdale Road - a well established public
house and music hall, the Burton Arms - still at number 31, and the
Smithfield Hotel at the end of the row.
How the Band on the Wall got it's Name
Almost everyone knows that 'The Band' got it's name because of the small
stage high up on the wall that visiting musician used to perform on. But
finally we can reveal how this came about. Florrie Branagan and Jack
Branelli - who later married - and who played at the George and Dragon in
the late 1930's, remember that the idea for a stage upon the wall came from
Ernie Tyson Flo's uncle - in 1937, and that he installed the stage.
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Photograph of Flo and Jack, circa 1942, Right Flo and Jack still playing
accordions at 86 years of age
A regular band of two accordionists, piano, drums, singer and sometimes
saxophonnist would play. Key performers were Flo Brannigan (accordion and
singer), Jack Brannelli (accordion), Jim Hart on drums, Saxophone Mick the
Pole and Albert Mancini on piano. |
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Italian accordion wizard Rudi Mancini, Rudi had a following that any
superstar of our day could boast. and the 'Elvis of Ancoats' Dominic Rea
also played accordion at the Band on the Wall. Lawrence Kelly a fish
merchant in the market played cornet. Floor singers sang in front of the
piano or in front of Flo. There was no amplification and contrary to rumour
there were steps up to the stage, not a ladder! Bands played 7.30pm till
closing time with a couple of breaks, six nights a week. |
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Always known as a rough place. Ernie Tyson ran it with a rod of iron. Jack
Branelli remembers that if there was any trouble 'one punch from Ernie and
they'd be on the cabbages' - a reference to the vegetable stalls that lined Oak
Street.
The George
and Dragon had table service and the waiters wore white aprons. It was immensely
popular and known as a services pub during the war when Americans, Canadians,
Australians, French as well as British soldiers, market traders, factory workers
and shoppers all used it. Italian prisoners of war and deserters were rumoured
to come in. Often the band carried on playing during air-raids ' especially when
the raids became more common.
Many boxers used the saloon bar at the back - Jack Branelli remembers Jackie
Brown the world flyweight champion from Harpurhey. There were also the gangs
'the Hamilton gang from Angel Meadow including Jazzer Hamilton' considered a
dangerous character to cross - but who once dueted on a love song with Flo
Brannigan
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Photograph of George and Dragon '1959' credit Manchester City Libraries, local
history unit
By the middle of the twentieth century Swan Street was in decline. Many textile
factories had closed and people moved out of the area. Market trade was down and
the buildings were demolished in the early 1970s. The fortunes of the George and
Dragon - or Band on the Wall as it was increasingly becoming known ' mirrored
this slump. Drag acts such as Diamond Lil and Neville St Claire were popular in
the late 1950s, but by the mid-1970s the George and Dragon was on its last legs. |
Photograph of George & Dragon circa 1970s
It was at this point that Steve Morris, saxophonist, jazz fan and entrepreneur
moved in with a bold idea to develop the old George and Dragon as a jazz venue.
A discussion with Johnny Roadhouse persuaded him to stick with the name Band on
the Wall and along with partner Frank Cusick he bought the pub and re-opened in
1975.
Jazz in the early days included the mixture of established names and up-and
coming local and national musicians seen today, and included No Mystery, Norman
Beaker, Gags and piano player Joe Palin.
Punk was the most popular music in the late 1970s and Steve Morris wisely
decided to subsidise his jazz interests by encouraging this and other music.
Mondays soon became known as New Manchester Review nights providing a focus and
support for a local political and music magazine of the time. Bands who played
under this title included John Cooper Clarke, The Passage, A Certain Ratio, Joy
Division (who played the night they first got a syn-drum) The Fall, Buzzcocks,
John the Postman and The Distractions. Mark E Smith of The Fall was a strong
supporter of the Monday night venture. Big In Japan played on Monday 13 February
1978 and whilst the name is not so well known they included future well-known
musicians Jayne Casey (of Cream nightclub, Liverpool), Ian Brodie of The
Lightning Seeds, Holly Johnson of Frankie Goes to Hollywood and Bill Drummond,
manager of the Teardrop Explodes and later a member of KLF. |
The 1980s
1982 saw a brief shut-down and re-opening due to a buy-out by the Northern
Branch of the Jazz Centre Society. There was also some internal redevelopment
work. The saloon bar was now altered to a wooden raised platform making use of a
job-lot of tables and seating apparently from an old Burger King restaurant in
Northenden!
1982 also saw the first use of the Dizzy Gillespie logo, real ale installed and
a regularly printed programme of events was put out. The re-opening gig was from
The Distractions. Other performers that year included Alexis Corner, John Peel,
Kevin Coyne, Melvyn Poore, 'solo tuba and tapes', Don Weller, P.M.T. and Electra
Complex ' part of the Women in Entertainment night, The Fall ' three nights on
the 3, 4, 5 May with Icelandic support band Purkur Pillnikk (featuring a young
Bjork on vocals), Southern Death Cult - who ended up as stadium rock band The
Cult, Albertos y los Trios Paranois, Gordon Giltrap, Nico - three nights on
6,7,8 September, Michael Nyman, Slim Gaillard, Lol Coxhill, Steve Lacey and
Keith Tippett, Jimmy Witherspoon and Prince Far-I.
In 1987 the balcony was installed, and in 1991 founder of the new Band on the
Wall Steve Morris died after a long illness.
The 1990s
The
last decade has seen a greater concentration on quality jazz performers at the
Band on the Wall. There has also been an increasing emphasis on bringing out new
young talent through the Well North of London rock showcases and a growing
programme of Inner City Music workshops and outreach work.
{Gina Brannelli, daughter of Flo and Jack Brannelli. Goddaughter of Rudi
Mancini Rudi, together with Flo and Jack are responsible for the incredible
modern accordion history of Gina Brannelli, her profound musical education, her
national and international competition successes, and today her involvement in
every part of the accordion industry as an Artiste, appearing all over the
World, Accordion Festival Organiser, National and International Adjudicator.
Director of an Accordion importation and Resale Company, and Fashion House, her
position on the Council of the only specialist accordion college in the UK, Past
Chairperson of the National Accordion Organisation, and current Executive
position, and her successful Academy of Accordion tuition comes from these
roots, and she will always be the first to tell you exactly that. Gina adored
her Godfather, and although he has passed on, he will always be her
inspiration. He inspired 3 generations of accordionists, A humble musician,
who made everybody else feel special was the finest accordionist of his time,
his name written firmly in the accordion world foR EVER
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And now a new generation of accordion personalities Rudi
would have been proud to see, UK Champions, International Champions, Area
Champions, and all because of Rudi and my Parents, Jack an Flo who all
played in the Band on the Wall, met at Accordion Lessons, and passed on
their love of the accordion to their children, who have passed their
knowledge on to the new accordionists of today. The
children here, also come from accordion backgrounds from that era, and we
salute you Rudy for making all this possible.
William Langton, Daizilee Pattison, Julie Langton, Nancy
Langton, Sarah Jane Langton, Soraya and Santana O'Connor |
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